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| Direktor festivala Igor Mirković |
Nakon što je proteklu godinu ili dvije izgledalo kao da njegova karizma najvećeg malog festivala u regiji polako nestaje, ovogodišnje, deseto izdanje MFF-a u velikom je stilu vratilo festival u najbolju formu.
Nikada se nije toliko ljudi po cijele noći penjalo prema filmovima na vrhu brda, kao što ih nikada - a što je još i važnije - nije bilo više na cjelodnevnim projekcijama u čak pet kina, dva otvorena i tri zatvorena.
U novom, improviziranom zatvorenom “ruskom kinu”, za “Ivanovo djetinjstvo” Andreja Tarkovskog tako se nije mogla naći slobodna stolica, a i ostali filmovi iz retrospektive ruskog filma, čijoj je stogodišnjici također bio posvećen 10. MFF, izazivali su i više nego pristojno zanimanje mahom mlađe publike.
Slično je bilo čak i na ponoćnim projekcijama u otvorenom kinu Barbacan, rezerviranom obično za nešto zahtjevnije naslove, a u glavnom kinu na Trgu filmove se gledalo i stojeći.
Program koji su organizatori ponudili bio je više nego dobar. Uz uobičajenu primjedbu o prevelikom broju naslova (ukupno preko stotinu u pet dana), na koju se i ostali festivali redovito oglušuju, 10. MFF u glavnom je programu prikazao dvadesetak filmova već ujednačene motovunske kvalitete, nekoliko blistavih minijatura te jedno pravo remek-djelo.
Ova posljednja titula svakako pripada filmu “Tiho svjetlo” Meksikanca Carlosa Reygadasa, kojemu, iako je dobio već mnoštvo nagrada, motovunski žiri naprosto nije mogao ne dodijeliti nagradu Propeler Motovuna.
Film koji je dobio nagradu žirija kritičara, slovačke “Slijepe ljubavi” Juraja Lehotskýa, možda nije remek-djelo, ali je svakako začudno toplo te filmski vrlo zanimljivo ostvarenje.
Nešto “običniji”, ali vrlo dojmljiv film je i laureat nagrade “Od A do A”, austrijski “Revanš” Götza Spielmanna, a i nagradu publike dobio je odličan te jedini hrvatski film, “Iza stakla” Zrinka Ogreste.
vesna pažin laušić
Filmovi i tulumi
Priče kako se u Motovun potkraj srpnja dolazi samo na pijanke i da bi se bilo viđen, tako su posve pale u vodu: među mnogim starim poklonicima festivala koji i inače na MFF dolaze i zbog atmosfere, ali prvenstveno zbog filmova, ove se godine dalo razabrati i gomilu mladih, studenata i srednjoškolaca koji vrlo pozorno proučavaju program i zdušno gledaju filmove.
Činjenica da su projekcije bile pune, nikako međutim nije pokvarila i kasnije, poznate motovunske tulume i koncerte.
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| Direktor festivala Igor Mirković |
Nakon što je proteklu godinu ili dvije izgledalo kao da njegova karizma najvećeg malog festivala u regiji polako nestaje, ovogodišnje, deseto izdanje MFF-a u velikom je stilu vratilo festival u najbolju formu.
Nikada se nije toliko ljudi po cijele noći penjalo prema filmovima na vrhu brda, kao što ih nikada - a što je još i važnije - nije bilo više na cjelodnevnim projekcijama u čak pet kina, dva otvorena i tri zatvorena.
U novom, improviziranom zatvorenom “ruskom kinu”, za “Ivanovo djetinjstvo” Andreja Tarkovskog tako se nije mogla naći slobodna stolica, a i ostali filmovi iz retrospektive ruskog filma, čijoj je stogodišnjici također bio posvećen 10. MFF, izazivali su i više nego pristojno zanimanje mahom mlađe publike.
Slično je bilo čak i na ponoćnim projekcijama u otvorenom kinu Barbacan, rezerviranom obično za nešto zahtjevnije naslove, a u glavnom kinu na Trgu filmove se gledalo i stojeći.
Program koji su organizatori ponudili bio je više nego dobar. Uz uobičajenu primjedbu o prevelikom broju naslova (ukupno preko stotinu u pet dana), na koju se i ostali festivali redovito oglušuju, 10. MFF u glavnom je programu prikazao dvadesetak filmova već ujednačene motovunske kvalitete, nekoliko blistavih minijatura te jedno pravo remek-djelo.
Ova posljednja titula svakako pripada filmu “Tiho svjetlo” Meksikanca Carlosa Reygadasa, kojemu, iako je dobio već mnoštvo nagrada, motovunski žiri naprosto nije mogao ne dodijeliti nagradu Propeler Motovuna.
Film koji je dobio nagradu žirija kritičara, slovačke “Slijepe ljubavi” Juraja Lehotskýa, možda nije remek-djelo, ali je svakako začudno toplo te filmski vrlo zanimljivo ostvarenje.
Nešto “običniji”, ali vrlo dojmljiv film je i laureat nagrade “Od A do A”, austrijski “Revanš” Götza Spielmanna, a i nagradu publike dobio je odličan te jedini hrvatski film, “Iza stakla” Zrinka Ogreste.
vesna pažin laušić
Filmovi i tulumi
Priče kako se u Motovun potkraj srpnja dolazi samo na pijanke i da bi se bilo viđen, tako su posve pale u vodu: među mnogim starim poklonicima festivala koji i inače na MFF dolaze i zbog atmosfere, ali prvenstveno zbog filmova, ove se godine dalo razabrati i gomilu mladih, studenata i srednjoškolaca koji vrlo pozorno proučavaju program i zdušno gledaju filmove.
Činjenica da su projekcije bile pune, nikako međutim nije pokvarila i kasnije, poznate motovunske tulume i koncerte.
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15. svibanj 2024 05:30
