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[title] => ‘Gospodar prstenova: Dvije kule‘: Mačevi i magija iz Međuzemlja
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Redovi za “Gospodara prstenova: Dvije kule” (“Lord Of The Rings: The Two Towers”, 2002.) bili su prije 20 godina u Splitu još i duži u odnosu na prethodni film “Prstenova družina ”, prvi dio fantazijske “sword&sorcery” trilogije Petera Jacksona nastale prema trodijelnom serijalu romana J.R.R. Tolkiena .
Ukoliko ste mislili uhvatiti karte za udarnu večernju projekciju “Dvije kule” u kinu “Central”, trebalo se ustati u raniju zoru, što prije nacrtati ispred “Tesle ” i praktički kampirati do otvaranja blagajne u osam ujutro, ali vrijedilo je. Bila je to definitivna potvrda “LOTR-a” kao filmskog fenomena nakon silnog uspjeha “The Fellowship Of The Ring”, pa i najava da bi nastavak “The Two Towers”, središnji dio trilogije, mogao na globalnoj razini postati još veći kinohit.
---
FILM: Lord Of The Rings: The Two Towers; fantazija; SAD, 2002. REŽIJA: Peter Jackson ULOGE: Elijah Wood, Viggo Mortensen OCJENA: *****
---
Tako se i dogodilo: “Prstenova družina” je zaradila nadomak 900 milijuna dolara u svjetskim kinima, a “Dvije kule” su debelo probile tu granicu (947) i nagovijestile da bi treći i završni dio “Povratak kralja” mogao prebaciti milijardu. Ipak, unatoč inicijalnoj hitoidnosti, film je nekako ostao u sjeni “Lord Of The Rings” prethodnika i nasljednika.
Većina filmofila i fanova trilogije stavit će ga na treće mjesto koje je na koncu i zauzeo po gledanosti serijala kod hrvatske publike, vječno drukčije od ostataka svijeta; "The Fellowship Of The Ring" je privukao 289.013, "The Return Of The King" 269.597, a "The Two Towers" 261.274 gledatelja u domaća kina.
Mnogima je smetalo (i još smeta) što su “Dvije kule” film bez klasičnog početka i kraja, odnosno nastavljaju se na “Prstenovu družinu” i pripremaju teren za “Povratak kralja”. Slično je postavljen i “Imperij uvraća udarac ”, centralni dio stare trilogije “Ratovi zvijezda”, no s godinama je počeo kotirati bolje od “Nove nade” i “Povratka jedija” i već neko vrijeme se smatra najboljim.
Možda takvu sudbinu s vremenom doživi i “The Two Towers”, tj. da ga se slavi barem kao jednako dobrog poput “The Fellowship Of The Ring” i “The Return Of The King” s kojima tvori jednu od najsavršenijih trilogija u povijesti, ako ne boljeg.
Na novo gledanje “Dvije kule” definitivno zaslužuju revalorizaciju kao film ravnopravan dvama voljenijim dijelovima serijala, u nekim segmentima i superioran. Autor ovog obljetničarskog teksta napravio je “test” i sada pogledao samo drugi dio da pritom ne posegne za maratonskim uparivanjem prvog i trećeg.
“The Two Towers” jest središnje poglavlje trilogije i djeluje zaokruženije ako se sagleda kao dio jedne šire slike koju kompletira, ali to ne znači da ga se ne može doživjeti samostalno i da ne funkcionira (izvrsno) i kao zaseban film koji smiono kreće “in medias res” i ima otvoreni kraj, a bez kojeg, realno, ne bi bilo serijala. Ako je “Prstenova družina” postavila temelje, “Dvije kule” su sagradile “LOTR” i izgradile čvrst most prema “Povratku kralja”.
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VIDEO
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Primjerice, ikonički poklič čarobnjaka Gandalfa (Ian McKellen ) “Nećeš proći!”, upućen vatrenom monstrumu Balrogu kad se ovaj odbije “vratiti u sjenu, možda ne bi postao jedan od najcitiranijih “one-linera” novog milenija da ga Jackson nije ponovio u uvodu “The Two Towers” i potencirao njegovu citatnost. Isto vrijedi i za u filmu često ponavljano Smeagolovo/Gollumovo (Andy Serkis u revolucionarnoj “motion capture” ulozi) tepanje prstenu “My precious”.
Ustvari, ponajviše “LOTR” citata dolazi upravo iz “Dvije kule”. “Mislim da smo možda pogriješili što smo napustili Shire”, “Sve naše nade polažemo u dva mala hobita negdje u divljini”, “I tako počinje”, “Frodo ne bi došao ovako daleko bez Sama”, “Uvijek postoji nada”, “Ima nešto dobroga na ovome svijetu... i za to se treba boriti”, “Bitka za Helmovu klisuru je gotova, bitka za Međuzemlje će uskoro početi”...
Cijeli film se zrcali u ovim citatima: prijateljstvo i junaštvo prstenove družine, velikih i malih heroja, snaga i slabost, nada i strah, suočavanje s neumitnošću bitke svjetla i tame, nesalomljivost ljudskog duha, vjera u pobjedu dobra nad zlom, a sve to veličanstveno uglazbljuje skladatelj Howard Shore , nadahnut “Conanom Barbarinom ” i “Hrabrim srcem ” jednako kao Jackson.
Nakon kratkog ponavljanja “cliffhangerovskog” završetka prethodnika, podsjetnika na Gandalfovu naizgled izgubljenu borbu s Balrogom, “The Two Towers” nastavlja dalje svojim putem (“dio putovanja je gotov, drugi počinje”) i ponire dublje u Tolkienov svijet i njegove likove u tumačenju odlično pogođenih glumaca, onako kako čarobnjak i plameno čudovište, boreći se i padajući, sve više poniru u bezdanske dubine Morije.
Jackson tu scenu predstavlja kao svojevrsni (Frodov) san potičući snoliku bajkovitost Tolkienove fantazije koju su mnoge generacije čitale pred spavanje i pretvarale u snove kakve su filmovi sinematički perfektno ilustrirali na velikom platnu, hvatajući duh iz romana radije nego ispisujući svako njihovo slovo, za razliku od “Harryja Pottera ”.
Čarobnjak doživljava promjenu i više nije Gandalf sivoskuti, već Gandalf bijeli. Ni hobit Frodo (Elijah Wood ) nije Frodo iz “The Fellowship Of The Ring” toliko da ga Sam (Sean Astin ) na trenutke ne prepoznaje dok noseći prsten moći pješače ka Kletoj gori Mordora.
---
VIDEO
---
Varavi prsten postaje teži i teži, simbolizirajući kvarnost ljudskog uma i teško breme njegova sve slabijeg nositelja pod svevidećim okom Gospodara tame Saurona i budeći zlo u dobrom Frodu kojeg opsjeda, kao što je probudio Golluma u nekadašnjem hobitu Smeagolu i rezultirao njegovom podijeljenom ličnosti.
Samo je Boromir (Sean Bean ) u prvom filmu potpao pod utjecaj prstena, načas i Galadriel (Cate Blanchett David Wenham ) koji dolazi u kušnju da ga uzme. Možda bi se u iskušenju našli i ostali glavni likovi, junački Aragorn, vilenjak Legolas patuljak Gimli (Viggo Mortensen, Orlando Bloom, John Rhys-Davies ), te druga dva hobita Merry i Pippin (Dominic Monaghan, Billy Boyd ), da im se putovi spletom okolnosti nisu razdvojili.
Dok Frodo, Sam i Gollum putuju za Mordor, Aragorn, Legolas i Gimli dolaze u grad Rohan gdje je tamošnji kralj Theoden (Bernard Hill ) potpao pod čari bijelog čarobnjaka Sarumana (Christopher Lee ), Sauronova saveznika, koji je stvorio vojsku Uruk-hai ratnika spreman da sa silama mraka pokori Međuzemlje. Merry i Pippin će, pak, u bijegu od orka susresti oživljeno, hodajuće i pričajuće stablo, Drvobradaša Enta (glas Rhys-Daviesa).
Svaki podzaplet je odmjeren u minutaži i balansiranju između lirskog i epskog, filozofskog i akcijskog, karakterne intime i grandioznog spektakla s pogođenim omjerom staromodnih praktičnih (maske, setovi) i modernih računalnih efekata kao u “Gladijatoru ” i “Troji ”, prije novomilenijske poplave prevladavajućeg CGI-ja.
Digitalne kreature su impresivne, enti, crne utvare/nazguli, zmajevi, vargovi itd., ali u Jacksonovu kadru ne gubi se čovjek i ljudski faktor, čak ni u spektakularnoj bitki za Helmovu klisuru. Kad film formira potencijalni romantični trokut između Aragorna, vilenjakinje Arwen i Theodenove kćerke Eowen (Liv Tyler, Miranda Otto ), to radi lirski dirljivo, nipošto “sapuničarski”.
Aragorn i Eowe bi možda mogli postati kao William Wallace i Murron iz “Braveheart”, a junakov odnos s Arwen je “highlanderovski ” kompleksan (smrtnik i vilenjakinja). “Gorčina smrtnosti” nadvija se nad “Dvije kule”, film koji je u naslovu dozivao dva srušena tornja WTC-a i na ekran je preselio “war on terror” nelagodu nakon 11. rujna 2001., kao što je Tolkien u “LOTR” romane alegorijski utkao tjeskobu prva dva svjetska rata, ali i svjetlo života na kraju mračnog tunela. Uvijek postoji nada.
---
Film ima "blockbusterskih" akcijskih scena (Legolas koristi štit kao skejt), ali je u njima umjeren, kao i u humoru za koji je zadužen patljak Gimli, tipa da se tijekom bitke za Helmovu klisuru natječe s vilenjakom tko je ubio više orka.
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title='Gospodar prstenova: Dvije kule': Mačevi i magija iz Međuzemlja
[metakey] => CINEMARK, CINEMARK OBLJETNICA, gospodar prstenova, LOTR, Dvije kule, fantazije, filmovi mača i magije, filmovi 2000-ih, Peter Jackson, Elijah Wood, Viggo Mortensen, Ian McKellen, liv tyler, orlando bloom, Christopher Lee, John Rhys-Davies, Sean Astin
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Redovi za “Gospodara prstenova: Dvije kule” (“Lord Of The Rings: The Two Towers”, 2002.) bili su prije 20 godina u Splitu još i duži u odnosu na prethodni film “Prstenova družina ”, prvi dio fantazijske “sword&sorcery” trilogije Petera Jacksona nastale prema trodijelnom serijalu romana J.R.R. Tolkiena .
Ukoliko ste mislili uhvatiti karte za udarnu večernju projekciju “Dvije kule” u kinu “Central”, trebalo se ustati u raniju zoru, što prije nacrtati ispred “Tesle ” i praktički kampirati do otvaranja blagajne u osam ujutro, ali vrijedilo je. Bila je to definitivna potvrda “LOTR-a” kao filmskog fenomena nakon silnog uspjeha “The Fellowship Of The Ring”, pa i najava da bi nastavak “The Two Towers”, središnji dio trilogije, mogao na globalnoj razini postati još veći kinohit.
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FILM: Lord Of The Rings: The Two Towers; fantazija; SAD, 2002. REŽIJA: Peter Jackson ULOGE: Elijah Wood, Viggo Mortensen OCJENA: *****
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Tako se i dogodilo: “Prstenova družina” je zaradila nadomak 900 milijuna dolara u svjetskim kinima, a “Dvije kule” su debelo probile tu granicu (947) i nagovijestile da bi treći i završni dio “Povratak kralja” mogao prebaciti milijardu. Ipak, unatoč inicijalnoj hitoidnosti, film je nekako ostao u sjeni “Lord Of The Rings” prethodnika i nasljednika.
Većina filmofila i fanova trilogije stavit će ga na treće mjesto koje je na koncu i zauzeo po gledanosti serijala kod hrvatske publike, vječno drukčije od ostataka svijeta; "The Fellowship Of The Ring" je privukao 289.013, "The Return Of The King" 269.597, a "The Two Towers" 261.274 gledatelja u domaća kina.
Mnogima je smetalo (i još smeta) što su “Dvije kule” film bez klasičnog početka i kraja, odnosno nastavljaju se na “Prstenovu družinu” i pripremaju teren za “Povratak kralja”. Slično je postavljen i “Imperij uvraća udarac ”, centralni dio stare trilogije “Ratovi zvijezda”, no s godinama je počeo kotirati bolje od “Nove nade” i “Povratka jedija” i već neko vrijeme se smatra najboljim.
Možda takvu sudbinu s vremenom doživi i “The Two Towers”, tj. da ga se slavi barem kao jednako dobrog poput “The Fellowship Of The Ring” i “The Return Of The King” s kojima tvori jednu od najsavršenijih trilogija u povijesti, ako ne boljeg.
Na novo gledanje “Dvije kule” definitivno zaslužuju revalorizaciju kao film ravnopravan dvama voljenijim dijelovima serijala, u nekim segmentima i superioran. Autor ovog obljetničarskog teksta napravio je “test” i sada pogledao samo drugi dio da pritom ne posegne za maratonskim uparivanjem prvog i trećeg.
“The Two Towers” jest središnje poglavlje trilogije i djeluje zaokruženije ako se sagleda kao dio jedne šire slike koju kompletira, ali to ne znači da ga se ne može doživjeti samostalno i da ne funkcionira (izvrsno) i kao zaseban film koji smiono kreće “in medias res” i ima otvoreni kraj, a bez kojeg, realno, ne bi bilo serijala. Ako je “Prstenova družina” postavila temelje, “Dvije kule” su sagradile “LOTR” i izgradile čvrst most prema “Povratku kralja”.
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VIDEO
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Primjerice, ikonički poklič čarobnjaka Gandalfa (Ian McKellen ) “Nećeš proći!”, upućen vatrenom monstrumu Balrogu kad se ovaj odbije “vratiti u sjenu, možda ne bi postao jedan od najcitiranijih “one-linera” novog milenija da ga Jackson nije ponovio u uvodu “The Two Towers” i potencirao njegovu citatnost. Isto vrijedi i za u filmu često ponavljano Smeagolovo/Gollumovo (Andy Serkis u revolucionarnoj “motion capture” ulozi) tepanje prstenu “My precious”.
Ustvari, ponajviše “LOTR” citata dolazi upravo iz “Dvije kule”. “Mislim da smo možda pogriješili što smo napustili Shire”, “Sve naše nade polažemo u dva mala hobita negdje u divljini”, “I tako počinje”, “Frodo ne bi došao ovako daleko bez Sama”, “Uvijek postoji nada”, “Ima nešto dobroga na ovome svijetu... i za to se treba boriti”, “Bitka za Helmovu klisuru je gotova, bitka za Međuzemlje će uskoro početi”...
Cijeli film se zrcali u ovim citatima: prijateljstvo i junaštvo prstenove družine, velikih i malih heroja, snaga i slabost, nada i strah, suočavanje s neumitnošću bitke svjetla i tame, nesalomljivost ljudskog duha, vjera u pobjedu dobra nad zlom, a sve to veličanstveno uglazbljuje skladatelj Howard Shore , nadahnut “Conanom Barbarinom ” i “Hrabrim srcem ” jednako kao Jackson.
Nakon kratkog ponavljanja “cliffhangerovskog” završetka prethodnika, podsjetnika na Gandalfovu naizgled izgubljenu borbu s Balrogom, “The Two Towers” nastavlja dalje svojim putem (“dio putovanja je gotov, drugi počinje”) i ponire dublje u Tolkienov svijet i njegove likove u tumačenju odlično pogođenih glumaca, onako kako čarobnjak i plameno čudovište, boreći se i padajući, sve više poniru u bezdanske dubine Morije.
Jackson tu scenu predstavlja kao svojevrsni (Frodov) san potičući snoliku bajkovitost Tolkienove fantazije koju su mnoge generacije čitale pred spavanje i pretvarale u snove kakve su filmovi sinematički perfektno ilustrirali na velikom platnu, hvatajući duh iz romana radije nego ispisujući svako njihovo slovo, za razliku od “Harryja Pottera ”.
Čarobnjak doživljava promjenu i više nije Gandalf sivoskuti, već Gandalf bijeli. Ni hobit Frodo (Elijah Wood ) nije Frodo iz “The Fellowship Of The Ring” toliko da ga Sam (Sean Astin ) na trenutke ne prepoznaje dok noseći prsten moći pješače ka Kletoj gori Mordora.
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VIDEO
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Varavi prsten postaje teži i teži, simbolizirajući kvarnost ljudskog uma i teško breme njegova sve slabijeg nositelja pod svevidećim okom Gospodara tame Saurona i budeći zlo u dobrom Frodu kojeg opsjeda, kao što je probudio Golluma u nekadašnjem hobitu Smeagolu i rezultirao njegovom podijeljenom ličnosti.
Samo je Boromir (Sean Bean ) u prvom filmu potpao pod utjecaj prstena, načas i Galadriel (Cate Blanchett David Wenham ) koji dolazi u kušnju da ga uzme. Možda bi se u iskušenju našli i ostali glavni likovi, junački Aragorn, vilenjak Legolas patuljak Gimli (Viggo Mortensen, Orlando Bloom, John Rhys-Davies ), te druga dva hobita Merry i Pippin (Dominic Monaghan, Billy Boyd ), da im se putovi spletom okolnosti nisu razdvojili.
Dok Frodo, Sam i Gollum putuju za Mordor, Aragorn, Legolas i Gimli dolaze u grad Rohan gdje je tamošnji kralj Theoden (Bernard Hill ) potpao pod čari bijelog čarobnjaka Sarumana (Christopher Lee ), Sauronova saveznika, koji je stvorio vojsku Uruk-hai ratnika spreman da sa silama mraka pokori Međuzemlje. Merry i Pippin će, pak, u bijegu od orka susresti oživljeno, hodajuće i pričajuće stablo, Drvobradaša Enta (glas Rhys-Daviesa).
Svaki podzaplet je odmjeren u minutaži i balansiranju između lirskog i epskog, filozofskog i akcijskog, karakterne intime i grandioznog spektakla s pogođenim omjerom staromodnih praktičnih (maske, setovi) i modernih računalnih efekata kao u “Gladijatoru ” i “Troji ”, prije novomilenijske poplave prevladavajućeg CGI-ja.
Digitalne kreature su impresivne, enti, crne utvare/nazguli, zmajevi, vargovi itd., ali u Jacksonovu kadru ne gubi se čovjek i ljudski faktor, čak ni u spektakularnoj bitki za Helmovu klisuru. Kad film formira potencijalni romantični trokut između Aragorna, vilenjakinje Arwen i Theodenove kćerke Eowen (Liv Tyler, Miranda Otto ), to radi lirski dirljivo, nipošto “sapuničarski”.
Aragorn i Eowe bi možda mogli postati kao William Wallace i Murron iz “Braveheart”, a junakov odnos s Arwen je “highlanderovski ” kompleksan (smrtnik i vilenjakinja). “Gorčina smrtnosti” nadvija se nad “Dvije kule”, film koji je u naslovu dozivao dva srušena tornja WTC-a i na ekran je preselio “war on terror” nelagodu nakon 11. rujna 2001., kao što je Tolkien u “LOTR” romane alegorijski utkao tjeskobu prva dva svjetska rata, ali i svjetlo života na kraju mračnog tunela. Uvijek postoji nada.
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Film ima "blockbusterskih" akcijskih scena (Legolas koristi štit kao skejt), ali je u njima umjeren, kao i u humoru za koji je zadužen patljak Gimli, tipa da se tijekom bitke za Helmovu klisuru natječe s vilenjakom tko je ubio više orka.
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15. svibanj 2024 02:54
