SD Dojavi
OSMRTNICE
PRETPLATA
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stdClass Object ( [id] => 241260 [title] => Zigmanove senzacionalne kostimografije ne bi se posramila ni milanska Scala [alias] => zigmanove-senzacionalne-kostimografije-ne-bi-se-posramila-ni-milanska-scala [catid] => 266 [published] => 1 [introtext] => [fulltext] => Bajkovita Aida nedavno je premijerno izvedena na splitskom Peristilu na otvaranju 60. Splitskog ljeta. Verdijeva opera nad operama zadivila je Splićane koji su, osim u vrhunskoj glazbi, uživali i u jedinstvenoj kostimografiji dizajnera Juraja Zigamana.

Posljednjih mjeseci Zigman je užurbano stvarao u radionicama HNK u Splitu. Okružen vrijednim i stručnim timom krojačica kazališta kostimi su se izrađivali po 10 sati dnevno.



Inspirirajući se starim Egiptom, Zigman se odlučio za bijelu boju koja obilježava njegove kostime. Raskošne kostimografije koja zaista oduzima dah ne bi se posramila niti milanska Scala. Prepuna je detaljno ukrašenih kostima i zlatnih detalja koji pružaju pogled u egipatsko bogatstvo.

- U suradnji s redateljem Draženom Sirišćevićem i cijelim timom odlučili smo se za tradicionalnu "Bijelu Aidu" što mi je itekako izazov jer teško kontroliram svoju potrebu za pretjerivanjem i korištenjem kolorita gdje god stignem. Kostimografija je nježna, prozračna i zato ne čudi što su radionicama prolazili metri i metri lepršave, plisirane bijele svile - kazao Juraj Zigman.



- Aida je velika stvar za mene. Prema tom djelu imam najdublje poštovanje i s velikim ponosom sam ušao u izradu Aide. To je razlog zbog čega sam duži period boravio u Splitu. Želim da je svaki detalj na svom mjestu - dodao je dizajner.

U svijet kazališta i kazališne kostimografije Zigman je ušao uspješnom suradnjom s Hrvatskim narodnim kazalistem "Ivan pl. Zajc" u Rijeci za operu Šuma Striborova i balet Carmina Burana. Za obje predstave bio je nominiran za Nagradu hrvatskog glumišta 2011. i 2013. godine u kategoriji Najbolja kazališna kostimografija – drama, opera ili balet.

psd, foto: ante čizmić / cropix, pr

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Splitskog ljeta. Verdijeva opera nad operama zadivila je Splićane koji su, osim u vrhunskoj glazbi, uživali i u jedinstvenoj kostimografiji dizajnera Juraja Zigamana.

Posljednjih mjeseci Zigman je užurbano stvarao u radionicama HNK u Splitu. Okružen vrijednim i stručnim timom krojačica kazališta kostimi su se izrađivali po 10 sati dnevno.



Inspirirajući se starim Egiptom, Zigman se odlučio za bijelu boju koja obilježava njegove kostime. Raskošne kostimografije koja zaista oduzima dah ne bi se posramila niti milanska Scala. Prepuna je detaljno ukrašenih kostima i zlatnih detalja koji pružaju pogled u egipatsko bogatstvo.

- U suradnji s redateljem Draženom Sirišćevićem i cijelim timom odlučili smo se za tradicionalnu "Bijelu Aidu" što mi je itekako izazov jer teško kontroliram svoju potrebu za pretjerivanjem i korištenjem kolorita gdje god stignem. Kostimografija je nježna, prozračna i zato ne čudi što su radionicama prolazili metri i metri lepršave, plisirane bijele svile - kazao Juraj Zigman.



- Aida je velika stvar za mene. Prema tom djelu imam najdublje poštovanje i s velikim ponosom sam ušao u izradu Aide. To je razlog zbog čega sam duži period boravio u Splitu. Želim da je svaki detalj na svom mjestu - dodao je dizajner.

U svijet kazališta i kazališne kostimografije Zigman je ušao uspješnom suradnjom s Hrvatskim narodnim kazalistem "Ivan pl. Zajc" u Rijeci za operu Šuma Striborova i balet Carmina Burana. Za obje predstave bio je nominiran za Nagradu hrvatskog glumišta 2011. i 2013. godine u kategoriji Najbolja kazališna kostimografija – drama, opera ili balet.

psd, foto: ante čizmić / cropix, pr

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StoryEditorOCM
Modabajkovita aida

Zigmanove senzacionalne kostimografije ne bi se posramila ni milanska Scala

Piše PSD.
21. srpnja 2014. - 17:31
PREMIUM
Galerija
Bajkovita Aida nedavno je premijerno izvedena na splitskom Peristilu na otvaranju 60. Splitskog ljeta. Verdijeva opera nad operama zadivila je Splićane koji su, osim u vrhunskoj glazbi, uživali i u jedinstvenoj kostimografiji dizajnera Juraja Zigamana.

Posljednjih mjeseci Zigman je užurbano stvarao u radionicama HNK u Splitu. Okružen vrijednim i stručnim timom krojačica kazališta kostimi su se izrađivali po 10 sati dnevno.



Inspirirajući se starim Egiptom, Zigman se odlučio za bijelu boju koja obilježava njegove kostime. Raskošne kostimografije koja zaista oduzima dah ne bi se posramila niti milanska Scala. Prepuna je detaljno ukrašenih kostima i zlatnih detalja koji pružaju pogled u egipatsko bogatstvo.

- U suradnji s redateljem Draženom Sirišćevićem i cijelim timom odlučil...
#JURAJZIGMAN#AIDA#SPLITSKOLJETO
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