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Debitant u dugometražnoj igranoj formi Josip Žuvan svoj je prvijenac “Garbura” snimao u okolici Pirovca na vrhuncu pandemijskih uvjeta i epidemioloških mjera, kad “uobičajeni maraton odjednom postaje trčanje s preponama”. Ipak, mladi redatelj rodom iz Trogira uspio je preskočiti sve prepone, tj. doskočiti svim izazovima i kompletirati film.

“Mislim da se prisutnost pandemije neće primijetiti u konačnom proizvodu”, izjavio je Žuvan tada za “Slobodnu”. Nešto manje od dvije godine kasnije, “Garbura” je napokon eksplodirala na velikim ekranima.

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FILM: Garbura; drama; Hrvatska/Srbija, 2022. REŽIJA: Josip Žuvan ULOGE: Franko Floigl, Mauro Ercegović Gracin OCJENA: ****

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Nakon svjetske premijere na San Sebastianu krajem rujna, gdje se prikazao pod engleskim naslovom “Carbide”, Žuvanov film je upravo doživio hrvatsku i regionalnu na jubilarnom 20. ZFF-u, preuzevši debitantsku štafetu od “Sigurnog mjestaJuraja Lerotića kao nastavljač niza kvalitetnih domaćih prvijenaca (“Ne gledaj mi u pijat”, “Kratki izlet”, “Mater”, “Murina”, “Zbornica”, “Baci se na pod”, “Stric”).

Prisutnost pandemije se zaista ne primijeti u “Garburi”, ali može se primijetiti da je Žuvan napravio kvalitetan posao postavivši priču u procijepu između tradicionalnog/patrijarhalnog i modernog života u autentičnom ruralnom zaleđu dalmatinskoga grada.

Glavni likovi su najbolji prijatelji, 12-godišnjaci Nikola i Antonio (vrlo solidni Mauro Ercegović Gracin i Franko Floigl; obojica prvi put na filmu) koji žive u susjednim kućama s roditeljima (Ljubomir Bandović, Marija Škaričić) i bakom (Asja Jovanović), tj. samohranom majkom (Ivana Ročić) i dominantnim djedom (Zdenko Jelčić).

Njihove obitelji su godinama zavađene oko puta i njeguju lošesusjedske odnose, ali Nikola i Antonio se i dalje druže i pokušavanju steći YouTube slavu snimajući paljenje garbure tijekom zimskih praznika, kad u njihovom mjestu ionako nemaju što pametnije za raditi. “Opet ti se tu zatreslo kad je puklo”, Antonio kori snimatelja Nikolu.

Dječja perspektiva je u filmu univerzalna, ali sa snažnim lokalnim koloritom. Svatko tko je osamdesetih ili devedesetih palio garburu kao klinac ispred kuće u gradu ili na selu doživjet će flešbek u tim scenama, posebice kad čuje komentare starijih ljudi tipa “I opet pucaju na onoga đavla” ili “Samo se ti zajebaji pa ćeš ostat bez ruke”.

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Pucanje garbure Žuvan efektno “modernizira” uporabom pametnog telefona kojim Nikola i Antonio ovjekovječuju prasak karabita. Iako moderni tehnološki uređaj pomalo strši u njegovim radničkim rukama, pametni telefon sve manje ispušta i Nikolin otac Zoran (“Počea si i ti buljit u toga đavla”), a Antoniova majka Ines sluša muziku preko mobitela umjesto na radiju, Olivera Dragojevića, Magazin, Doris Dragović itd., bježeći na taj način nakratko od stvarnosti.

Žuvan prikazuje pametne telefone kao dvosjekli mač: mobiteli su sredstvo pomoću kojeg se Nikola i Antonio mogu proslaviti na YouTubeu, ali oni i uzrokuju jaz među njima, kao i među djecom i roditeljima. Antonio uspoređuje je li njegov mobitel noviji/veći od Nikolinog, ima li više kamera...

S druge strane, roditelji ne mogu razgovarati s klincima dok su na mobitelima. “Sutra ćemo pričat”, odgađa otac razgovor sa Nikolom nakon što ovaj pilji u ekran, dok Antonio i nema oca da bi ovaj pričao s njim (čujemo ga samo jednom preko telefona). Premda, roditelji ionako sve manje imaju nešto za reći, opterećeni svojim problemima i frustracijama koje prenose na djecu, kao što su ih i njihovi roditelji prenijeli na njih u začaranom generacijskom, disfunkcionalno-obiteljskom krugu.

Količina frustracija je na momente nepodnošljiva u filmu čiju dramu pokreću loši unutarobiteljski odnosi likova u interpretacijama dobrih glumaca, vješto vođenih od strane redatelja koji odmjereno, ali s dosta potankosti oslikava obitelj i hrvatsko društvo na užem i širem planu priče.

Roditelji ne znaju što im djeca rade u slobodno vrijeme (uče o pištoljima na YouTubeu), pa ni obratno. Klinci s garbure prelaze na pištolje i planiraju objavljivati i videa na kojima pucaju iz češke zbrojevke za pratitelje na YouTubeu nakon što su s oružjem u ruci već pozirali “za profilnu”.

”Pištolj ne moraju nabavljati, to doslovno svi imaju”, govori Antonio. “Šta ako nas nađe policija”, pita Nikola. “Još bolje”, odgovara Antonio, jer to će podići broj pregleda. Dramska napetost polako raste u filmu pogođena naslova, ekvivalentu paljenju garbure i čekanju da grune. Obiteljske i ine tenzije potiho eksplodiraju u “Garburi”.

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Koprodukcija sa Srbijom

Film je snimljen u koprodukciji sa Srbijom, pa odatle gledamo srpskog glumca Bandovića ("Smrt čovjeka na Balkanu", "Taxi Blues"...) koji je jako dobar u ulozi.

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Debitant u dugometražnoj igranoj formi Josip Žuvan svoj je prvijenac “Garbura” snimao u okolici Pirovca na vrhuncu pandemijskih uvjeta i epidemioloških mjera, kad “uobičajeni maraton odjednom postaje trčanje s preponama”. Ipak, mladi redatelj rodom iz Trogira uspio je preskočiti sve prepone, tj. doskočiti svim izazovima i kompletirati film.

“Mislim da se prisutnost pandemije neće primijetiti u konačnom proizvodu”, izjavio je Žuvan tada za “Slobodnu”. Nešto manje od dvije godine kasnije, “Garbura” je napokon eksplodirala na velikim ekranima.

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FILM: Garbura; drama; Hrvatska/Srbija, 2022. REŽIJA: Josip Žuvan ULOGE: Franko Floigl, Mauro Ercegović Gracin OCJENA: ****

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Nakon svjetske premijere na San Sebastianu krajem rujna, gdje se prikazao pod engleskim naslovom “Carbide”, Žuvanov film je upravo doživio hrvatsku i regionalnu na jubilarnom 20. ZFF-u, preuzevši debitantsku štafetu od “Sigurnog mjestaJuraja Lerotića kao nastavljač niza kvalitetnih domaćih prvijenaca (“Ne gledaj mi u pijat”, “Kratki izlet”, “Mater”, “Murina”, “Zbornica”, “Baci se na pod”, “Stric”).

Prisutnost pandemije se zaista ne primijeti u “Garburi”, ali može se primijetiti da je Žuvan napravio kvalitetan posao postavivši priču u procijepu između tradicionalnog/patrijarhalnog i modernog života u autentičnom ruralnom zaleđu dalmatinskoga grada.

Glavni likovi su najbolji prijatelji, 12-godišnjaci Nikola i Antonio (vrlo solidni Mauro Ercegović Gracin i Franko Floigl; obojica prvi put na filmu) koji žive u susjednim kućama s roditeljima (Ljubomir Bandović, Marija Škaričić) i bakom (Asja Jovanović), tj. samohranom majkom (Ivana Ročić) i dominantnim djedom (Zdenko Jelčić).

Njihove obitelji su godinama zavađene oko puta i njeguju lošesusjedske odnose, ali Nikola i Antonio se i dalje druže i pokušavanju steći YouTube slavu snimajući paljenje garbure tijekom zimskih praznika, kad u njihovom mjestu ionako nemaju što pametnije za raditi. “Opet ti se tu zatreslo kad je puklo”, Antonio kori snimatelja Nikolu.

Dječja perspektiva je u filmu univerzalna, ali sa snažnim lokalnim koloritom. Svatko tko je osamdesetih ili devedesetih palio garburu kao klinac ispred kuće u gradu ili na selu doživjet će flešbek u tim scenama, posebice kad čuje komentare starijih ljudi tipa “I opet pucaju na onoga đavla” ili “Samo se ti zajebaji pa ćeš ostat bez ruke”.

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Pucanje garbure Žuvan efektno “modernizira” uporabom pametnog telefona kojim Nikola i Antonio ovjekovječuju prasak karabita. Iako moderni tehnološki uređaj pomalo strši u njegovim radničkim rukama, pametni telefon sve manje ispušta i Nikolin otac Zoran (“Počea si i ti buljit u toga đavla”), a Antoniova majka Ines sluša muziku preko mobitela umjesto na radiju, Olivera Dragojevića, Magazin, Doris Dragović itd., bježeći na taj način nakratko od stvarnosti.

Žuvan prikazuje pametne telefone kao dvosjekli mač: mobiteli su sredstvo pomoću kojeg se Nikola i Antonio mogu proslaviti na YouTubeu, ali oni i uzrokuju jaz među njima, kao i među djecom i roditeljima. Antonio uspoređuje je li njegov mobitel noviji/veći od Nikolinog, ima li više kamera...

S druge strane, roditelji ne mogu razgovarati s klincima dok su na mobitelima. “Sutra ćemo pričat”, odgađa otac razgovor sa Nikolom nakon što ovaj pilji u ekran, dok Antonio i nema oca da bi ovaj pričao s njim (čujemo ga samo jednom preko telefona). Premda, roditelji ionako sve manje imaju nešto za reći, opterećeni svojim problemima i frustracijama koje prenose na djecu, kao što su ih i njihovi roditelji prenijeli na njih u začaranom generacijskom, disfunkcionalno-obiteljskom krugu.

Količina frustracija je na momente nepodnošljiva u filmu čiju dramu pokreću loši unutarobiteljski odnosi likova u interpretacijama dobrih glumaca, vješto vođenih od strane redatelja koji odmjereno, ali s dosta potankosti oslikava obitelj i hrvatsko društvo na užem i širem planu priče.

Roditelji ne znaju što im djeca rade u slobodno vrijeme (uče o pištoljima na YouTubeu), pa ni obratno. Klinci s garbure prelaze na pištolje i planiraju objavljivati i videa na kojima pucaju iz češke zbrojevke za pratitelje na YouTubeu nakon što su s oružjem u ruci već pozirali “za profilnu”.

”Pištolj ne moraju nabavljati, to doslovno svi imaju”, govori Antonio. “Šta ako nas nađe policija”, pita Nikola. “Još bolje”, odgovara Antonio, jer to će podići broj pregleda. Dramska napetost polako raste u filmu pogođena naslova, ekvivalentu paljenju garbure i čekanju da grune. Obiteljske i ine tenzije potiho eksplodiraju u “Garburi”.

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Koprodukcija sa Srbijom

Film je snimljen u koprodukciji sa Srbijom, pa odatle gledamo srpskog glumca Bandovića ("Smrt čovjeka na Balkanu", "Taxi Blues"...) koji je jako dobar u ulozi.

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Film & TVCINEMARK NA FESTIVALU

‘Garbura‘: Tiha eksplozija obiteljskih tenzija

26. listopada 2022. - 09:24

Debitant u dugometražnoj igranoj formi Josip Žuvan svoj je prvijenac “Garbura” snimao u okolici Pirovca na vrhuncu pandemijskih uvjeta i epidemioloških mjera, kad “uobičajeni maraton odjednom postaje trčanje s preponama”. Ipak, mladi redatelj rodom iz Trogira uspio je preskočiti sve prepone, tj. doskočiti svim izazovima i kompletirati film.

“Mislim da se prisutnost pandemije neće primijetiti u konačnom proizvodu”, izjavio je Žuvan tada za “Slobodnu”. Nešto manje od dvije godine kasnije, “Garbura” je napokon eksplodirala na velikim ekranima.

Nakon svjetske premijere na San Sebastianu krajem rujna, gdje se prikazao pod engleskim naslovom “Carbide”, Žuvanov film je upravo doživio hrvatsku i regionalnu na jubilarnom 20. ZFF-u, preuzevši debitantsku štafetu od “...

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15. svibanj 2024 07:32