SD Dojavi
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stdClass Object ( [id] => 273948 [title] => Ante Jelinčić, Sunčana Tušek i Vesna Podrug odlično završili koncertnu sezonu [alias] => ante-jelincic-suncana-tusek-i-vesna-podrug-odlicno-zavrsili-koncertnu-sezonu [catid] => 256 [published] => 1 [introtext] => [fulltext] => Šećer dolazi na kraju. Tako bismo najkraće mogli opisati odličan koncert komornog trija u sastavu: Ante Jelinčić (klarinet), Sunčana Tušek (violončelo) i Vesna Podrug (klavir), koji se održao u foajeu Hrvatskog narodnog kazališta u Splitu i kojim je zaključena koncertna sezona splitske kazališne kuće.
Troje glazbenika bogate umjetničke karijere, koji su se dokazali kao vrsni solisti, svirali su skladno i ujednačeno, s mnogo međusobnog uvažavanja i s posebnom brigom za homogen i zaokružen zvuk ansambla.

Takva pažnja nije rezultirala opreznim i sudržanim interpretacijama, dapače, svjedočili smo nadasve nadahnutoj i angažiranoj svirci. Za program svog prvog zajedničkog koncerta odabrali su djela dvojice njemačkih skladatelja 19. stoljeća – Ludwiga van Beethovena, koji utire put novim glazbenim idejama na kojima će svoj glazbeni jezik graditi Johannes Brahms.

Uhvaćen čeznutljivi ugođaj

Nadahnut umijećem klarinetista Richarda Mühlfelda Brahms se neočekivano iz umjetničke mirovine vraća skladanju i pred kraj svoga života u relativno kratkom periodu stvara četiri komorna djela za klarinet. Jednim od njih, Triom u a-molu, op. 114, otvoren je koncert splitskog trija.

Umjetnici su u potpunosti uspjeli uhvatiti čeznutljivi, jesenski ugođaj toga komada, u interpretaciji u kojoj su se stopili u svim registrima ujednačen ton klarineta, meki i topao zvuk čela te nenametljiv, ali energičan i nepogrešivo muzikalan Podrugičin izraz.

U drugom dijelu koncerta slušali smo uigranu, tonski i dinamički usklađenu izvedbu mozartovski razigranog, vedrog i pjevnog Beethovenova (Gassenhauer) Trija u B-duru, op. 11.

Glazbenici su jednako uspješno i uvjerljivo donijeli lirski i melodiozni Adagio te skercozni i virtuozni Allegretto građen kao tema s varijacijama na temu iz arije “Pria ch’io l’impegno” iz Weiglove opere L’Amor Marinaro.

Ovakav koncert na završetku sezone obvezuje na nova visokokvalitetna i uzbuđujuća glazbena druženja u novoj koncertnoj sezoni splitskog HNK.

PIŠE: MARIJO KRNIĆ, FOTO: VLADO DUGANDŽIĆ/CROPIX


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https://static.slobodnadalmacija.hr/Archive/images/2015/05/20/Kultura/komorni_trio1-180515.jpg [galleryCount] => 1 [hasImage] => 1 [mainImageAuthor] => [mainImageDesc] => [popup_gallery] => Array ( [0] => stdClass Object ( [src] => https://static.slobodnadalmacija.hr/Archive/images/2015/05/20/Kultura/komorni_trio1-180515.jpg [title] => ) ) [bgPosition] => [text] => {OCMSplitter}Šećer dolazi na kraju. Tako bismo najkraće mogli opisati odličan koncert komornog trija u sastavu: Ante Jelinčić (klarinet), Sunčana Tušek (violončelo) i Vesna Podrug (klavir), koji se održao u foajeu Hrvatskog narodnog kazališta u Splitu i kojim je zaključena koncertna sezona splitske kazališne kuće.
Troje glazbenika bogate umjetničke karijere, koji su se dokazali kao vrsni solisti, svirali su skladno i ujednačeno, s mnogo međusobnog uvažavanja i s posebnom brigom za homogen i zaokružen zvuk ansambla.

Takva pažnja nije rezultirala opreznim i sudržanim interpretacijama, dapače, svjedočili smo nadasve nadahnutoj i angažiranoj svirci. Za program svog prvog zajedničkog koncerta odabrali su djela dvojice njemačkih skladatelja 19. stoljeća – Ludwiga van Beethovena, koji utire put novim glazbenim idejama na kojima će svoj glazbeni jezik graditi Johannes Brahms.

Uhvaćen čeznutljivi ugođaj

Nadahnut umijećem klarinetista Richarda Mühlfelda Brahms se neočekivano iz umjetničke mirovine vraća skladanju i pred kraj svoga života u relativno kratkom periodu stvara četiri komorna djela za klarinet. Jednim od njih, Triom u a-molu, op. 114, otvoren je koncert splitskog trija.

Umjetnici su u potpunosti uspjeli uhvatiti čeznutljivi, jesenski ugođaj toga komada, u interpretaciji u kojoj su se stopili u svim registrima ujednačen ton klarineta, meki i topao zvuk čela te nenametljiv, ali energičan i nepogrešivo muzikalan Podrugičin izraz.

U drugom dijelu koncerta slušali smo uigranu, tonski i dinamički usklađenu izvedbu mozartovski razigranog, vedrog i pjevnog Beethovenova (Gassenhauer) Trija u B-duru, op. 11.

Glazbenici su jednako uspješno i uvjerljivo donijeli lirski i melodiozni Adagio te skercozni i virtuozni Allegretto građen kao tema s varijacijama na temu iz arije “Pria ch’io l’impegno” iz Weiglove opere L’Amor Marinaro.

Ovakav koncert na završetku sezone obvezuje na nova visokokvalitetna i uzbuđujuća glazbena druženja u novoj koncertnoj sezoni splitskog HNK.

PIŠE: MARIJO KRNIĆ, FOTO: VLADO DUGANDŽIĆ/CROPIX


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Kulturakoncert Komornog trija

Ante Jelinčić, Sunčana Tušek i Vesna Podrug odlično završili koncertnu sezonu

Piše PSD.
20. svibnja 2015. - 12:21
PREMIUM
Šećer dolazi na kraju. Tako bismo najkraće mogli opisati odličan koncert komornog trija u sastavu: Ante Jelinčić (klarinet), Sunčana Tušek (violončelo) i Vesna Podrug (klavir), koji se održao u foajeu Hrvatskog narodnog kazališta u Splitu i kojim je zaključena koncertna sezona splitske kazališne kuće.


#ANTEJELINČIĆ#SUNČANATUŠEK#VESNAPODRUG
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