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Šibenski majstor vizualnih efekata Ante Deković (38) dobio je novo priznanje za svoj rad u Hollywoodu. On je sa svojim timom treći put nominiran za najpoznatiju televizijsku nagradu Emmy, i to za rad na trećoj sezoni serije “Star Trek: Discovery”. Prvi put nominiran je još 2013. za seriju “Da Vincijevi demoni”, a drugi put prije dvije godine za drugu sezonu “Discoveryja”.

– Svi smo presretni. Pretpostavljali smo da ćemo biti nominirani, no nikad se ne zna. Mislili smo da ćemo biti nominirani i za prvu sezonu pa nismo bili. Nadam se da će sad biti treća sreća i da ću konačno držati taj kipić u ruci – kazao je za Večernji list Deković, koji je odrastao u Njemačkoj, gdje je završio školu za audiovizualni dizajn.

U SAD se preselio 2005. godine, a dosad je radio na nizu impresivnih projekata kao što su “2012.”, “Igre gladi”, “Igra prijestolja”, “Pravi detektiv”, a osim serija “Star Trek: Discovery” i “Star Trek: Picard”, posebno izdvaja seriju “Bermudski trokut” (“The Triangle”), za koju je njegova ekipa osvojila Emmy.

– U trećoj sezoni “Discoveryja” efekti su puno bolji pa je i meni bilo teže raditi. Radili smo i tijekom lockdowna, tako da smo cijelu sezonu radili od doma. Pokazalo se da se ipak može raditi i tako te napraviti dobar proizvod. Ruku na srce, sve se radi digitalno pa se i dosad radilo u više zemalja. Kuće koje nama rade efekte su u Danskoj, Njemačkoj, Sjevernoj Makedoniji, a set je i ove godine bio u Torontu – otkrio je Deković, koji zbog pandemije nije bio na setu pa stoga nije ponovio svoju malu ulogu iz finala druge sezone, kada se pojavio na komandnom mostu Discoveryja.

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Inače, Deković je na seriji radio kao supervizor, dakle drugi čovjek tima, iza Jasona Michaela Zimmermana, a s Antom je u timu i njegova supruga Aleksandra Kochoska.

– Jason i ja direktno smo odgovarali kreatoru serije Alexu Kurtzmanu, a Aleksandra je producentica u timu. Znate ono, ja joj kažem kakve sve ideje imamo za efekte, a onda ona vidi imamo li novca za to ili ne – kazao je Deković, koji  je otkrio i kako se snimaju epizode.

– Samo snimanje jedne epizode traje dva tjedna, isto toliko i pretprodukcija, a postprodukcija može trajati i šest mjeseci, ovisno o tome koliko su kompleksni svemirski brodovi i ostali efekti koje radimo. Ove su nam godine sve još produljili zbog pandemije pa je bilo lakše. Treća sezona “Discoveryja” odigrava se u dalekoj budućnosti, što je s jedne strane dobro, a s druge i zafrkano. Ipak se morate držati Star Trek svijeta, ali i zamišljati kako će to izgledati za tisuću godina. Primjerice, hologrami više ne bi trebali izgledati kao prije, ali opet morate paziti da ljudi shvate da se radi o hologramu, a ne o stvarnom liku – kazao je Deković za Večernji list, kojem je ova nominacija i oproštaj od rada na “Star Treku”.

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Šibenski majstor vizualnih efekata Ante Deković (38) dobio je novo priznanje za svoj rad u Hollywoodu. On je sa svojim timom treći put nominiran za najpoznatiju televizijsku nagradu Emmy, i to za rad na trećoj sezoni serije “Star Trek: Discovery”. Prvi put nominiran je još 2013. za seriju “Da Vincijevi demoni”, a drugi put prije dvije godine za drugu sezonu “Discoveryja”.

– Svi smo presretni. Pretpostavljali smo da ćemo biti nominirani, no nikad se ne zna. Mislili smo da ćemo biti nominirani i za prvu sezonu pa nismo bili. Nadam se da će sad biti treća sreća i da ću konačno držati taj kipić u ruci – kazao je za Večernji list Deković, koji je odrastao u Njemačkoj, gdje je završio školu za audiovizualni dizajn.

U SAD se preselio 2005. godine, a dosad je radio na nizu impresivnih projekata kao što su “2012.”, “Igre gladi”, “Igra prijestolja”, “Pravi detektiv”, a osim serija “Star Trek: Discovery” i “Star Trek: Picard”, posebno izdvaja seriju “Bermudski trokut” (“The Triangle”), za koju je njegova ekipa osvojila Emmy.

– U trećoj sezoni “Discoveryja” efekti su puno bolji pa je i meni bilo teže raditi. Radili smo i tijekom lockdowna, tako da smo cijelu sezonu radili od doma. Pokazalo se da se ipak može raditi i tako te napraviti dobar proizvod. Ruku na srce, sve se radi digitalno pa se i dosad radilo u više zemalja. Kuće koje nama rade efekte su u Danskoj, Njemačkoj, Sjevernoj Makedoniji, a set je i ove godine bio u Torontu – otkrio je Deković, koji zbog pandemije nije bio na setu pa stoga nije ponovio svoju malu ulogu iz finala druge sezone, kada se pojavio na komandnom mostu Discoveryja.

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Inače, Deković je na seriji radio kao supervizor, dakle drugi čovjek tima, iza Jasona Michaela Zimmermana, a s Antom je u timu i njegova supruga Aleksandra Kochoska.

– Jason i ja direktno smo odgovarali kreatoru serije Alexu Kurtzmanu, a Aleksandra je producentica u timu. Znate ono, ja joj kažem kakve sve ideje imamo za efekte, a onda ona vidi imamo li novca za to ili ne – kazao je Deković, koji  je otkrio i kako se snimaju epizode.

– Samo snimanje jedne epizode traje dva tjedna, isto toliko i pretprodukcija, a postprodukcija može trajati i šest mjeseci, ovisno o tome koliko su kompleksni svemirski brodovi i ostali efekti koje radimo. Ove su nam godine sve još produljili zbog pandemije pa je bilo lakše. Treća sezona “Discoveryja” odigrava se u dalekoj budućnosti, što je s jedne strane dobro, a s druge i zafrkano. Ipak se morate držati Star Trek svijeta, ali i zamišljati kako će to izgledati za tisuću godina. Primjerice, hologrami više ne bi trebali izgledati kao prije, ali opet morate paziti da ljudi shvate da se radi o hologramu, a ne o stvarnom liku – kazao je Deković za Večernji list, kojem je ova nominacija i oproštaj od rada na “Star Treku”.

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Ante Deković
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Zanimljivostiante deković

Šibenski majstor vizualnih efekata po treći put nominiran za nagradu Emmy! ‘Ovo je oproštaj od mog rada na Star Treku‘

Piše Šibenski.hr
20. srpnja 2021. - 12:28
Ante Deković
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Šibenski majstor vizualnih efekata Ante Deković (38) dobio je novo priznanje za svoj rad u Hollywoodu. On je sa svojim timom treći put nominiran za najpoznatiju televizijsku nagradu Emmy, i to za rad na trećoj sezoni serije “Star Trek: Discovery”. Prvi put nominiran je još 2013. za seriju “Da Vincijevi demoni”, a drugi put prije dvije godine za drugu sezonu “Discoveryja”.

– Svi smo presretni. Pretpostavljali smo da ćemo biti nominirani, no nikad se ne zna. Mislili smo da ćemo biti nominirani i za prvu sezonu pa nismo bili. Nadam se da će sad biti treća sreća i da ću konačno držati taj kipić u ruci – kazao je za Večernji list Deković, koji je odrastao u Njemačkoj, gdje je završio školu za audiovizualni dizajn.

U SAD se preselio 2005. godine, a dosad je radio na nizu impresivnih projekata kao što su “2012.”, “Igre gladi”, “Igra prijestolja”, “Pravi detektiv”, a osim serija “Star Trek: Discovery” i “Star Trek: Picard”, posebno izdvaja seriju “Bermudski trokut” (“The Triangle”), za koju je njegova ekipa osvojila Emmy.

– U trećoj sezoni “Discoveryja” efekti su puno bolji pa je i meni bilo teže raditi. Radili smo i tijekom lockdowna, tako da smo cijelu sezonu radili od doma. Pokazalo se da se ipak može raditi i tako te napraviti dobar proizvod. Ruku na srce, sve se radi digitalno pa se i dosad radilo u više zemalja. Kuće koje nama rade efekte su u Danskoj, Njemačkoj, Sjevernoj Makedoniji, a set je i ove godine bio u Torontu – otkrio je Deković, koji zbog pandemije nije bio na setu pa stoga nije ponovio svoju malu ulogu iz finala druge sezone, kada se pojavio na komandnom mostu Discoveryja.

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Inače, Deković je na seriji radio kao supervizor, dakle drugi čovjek tima, iza Jasona Michaela Zimmermana, a s Antom je u timu i njegova supruga Aleksandra Kochoska.

– Jason i ja direktno smo odgovarali kreatoru serije Alexu Kurtzmanu, a Aleksandra je producentica u timu. Znate ono, ja joj kažem kakve sve ideje imamo za efekte, a onda ona vidi imamo li novca za to ili ne – kazao je Deković, koji  je otkrio i kako se snimaju epizode.

– Samo snimanje jedne epizode traje dva tjedna, isto toliko i pretprodukcija, a postprodukcija može trajati i šest mjeseci, ovisno o tome koliko su kompleksni svemirski brodovi i ostali efekti koje radimo. Ove su nam godine sve još produljili zbog pandemije pa je bilo lakše. Treća sezona “Discoveryja” odigrava se u dalekoj budućnosti, što je s jedne strane dobro, a s druge i zafrkano. Ipak se morate držati Star Trek svijeta, ali i zamišljati kako će to izgledati za tisuću godina. Primjerice, hologrami više ne bi trebali izgledati kao prije, ali opet morate paziti da ljudi shvate da se radi o hologramu, a ne o stvarnom liku – kazao je Deković za Večernji list, kojem je ova nominacija i oproštaj od rada na “Star Treku”.

#ANTE DEKOVIĆ#EMMY#STAR TREK#VIZUALNI EFEKTI
16. svibanj 2024 03:12